![]() “We are always trying to engage artists more in the space.”. “I knew Rashid and that he is very open to the idea of a work that crossed the boundaries of art and architecture,” says Laplace. The pub’s ceiling features a wildly colorful installation by the British artist Phyllida Barlow, and on the second level is an entire floor of palladiana mosaics designed by the American artist Rashid Johnson in dialogue with the Audley’s architect Luis Laplace, a longtime design collaborator of Hauser & Wirth. Not surprisingly, there are dramatic artworks scattered throughout. Restaurant, serves up elevated British classics like smoked eel with potato salad and a lobster pie for two on the second floor. A second more ambitious eatery, the Mount St. In addition to four event spaces, it includes a pub - the renovated historic Audley Public House - on the ground floor. This week, Artfarm opened the Audley, spread across five stories in a listed Victorian building in London’s Mayfair (not far from the site of a future gallery flagship that will open in 2024). That same year, in order to keep the gallery and hospitality development projects separate, the couple founded Artfarm, which oversees the latter. One of their first immersive projects, which they opened about eight years ago, was in Somerset, England, where exhibition rooms, a restaurant and a shop came together on a former farm. I always have a big jug of it around.įor more than a decade, Iwan and Manuela Wirth, the founders of the gallery Hauser & Wirth, have been creating art spaces around the world that are more like ecosystems, complete with restaurants and chickens running around. I have been using African Shea butter forever. It smells so good and is actually moisturizing. After that I use Sol de Janeiro Brazilian Bum Bum Body Cream. To exfoliate, I like to use a brush, especially on my back, an area that I find isn’t given enough attention. It gets the job done, I feel clean, smell good and it doesn’t leave a residue. I am a big fan of Olay body wash, which has been a staple in my house forever. ![]() To take it all off at the end of the day, I’ll sometimes use olive oil, which is a makeup removing tip I picked up from my mom. Maybelline Great Lash doesn’t get enough credit, it still does the trick and is so affordable. I love the Anastasia Perfect Brow Pencil and the Pat McGrath Labs mascara. I use Westman Atelier’s Baby Cheeks Blush, Lit Up highlighter and Eye Pods eye shadow and on my lips, I turn to Mented Lip Liner with Westman Atelier’s Squeaky Clean Liquid Lip Balm. ![]() I use Anastasia Beverly Hills Luminous Foundation because it has my skin tone, which is important. I’ve really learned the beauty of mixing foundation with moisturizer. My makeup artist on set, Renée Loiz, will do all of my makeup around those so I get the most out of them. If the eyes are big, the bags are big, too. Peace Out makes really good under-eye masks, which are important because I wake up early and I have big eyes. I’ll use a RéVive roller to prep my skin and look up YouTube videos of lymphatic massages I can do on my face. The moisturizer that my mom used and I still use is the Olay Active Hydrating Cream. In the morning, I use Vitamin C + Peptide 24 Brightening Serum from Olay and the matching Vitamin C + Peptide 24 Hydrating Moisturizer. I use a milky makeup remover on a cotton pad followed by a warm washcloth to really steam and remove anything left over.
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